There are images throughout the film that portray the transformation a character goes through very well without being preachy or pedantic.
Mohanlal's performance keeps the audience engrossed to the film.
The film's storyline is wafer-thin and predictable.
The film jolts you and keeps you riveted to the screen.
The film's premise does not inspire confidence and even the humour does not have the requisite fizz.
The film could be popular with the vacation crowd but there's hardly anything here for the thinking viewer.
The film feels half-baked and could have been more much more.
Unlike the original, the sequel fails to deliver.
On the whole, this film has a very average feel.
The film tretches the concept of reality teleivision to unreal realm.
The directorial debut of Siddharath Bharathan is a remake of his father Bharathan's film of the same name made three decade ago
Director Arun Kumar Aravind uses multiple narrative streams to showcase his film.
The film talks about the trauma of a rape victim and the pain her loved ones suffer due to this.
Most of the actors in the film seem to be sleepwalking through their parts.
The film talks about small men dreaming big but doesn't fails to pull off the story.
Directed by K K Rajeev, the film is medicore but well packaged.
The film tries hard to be like a a stylised Quentin Taratino-esque fare.
Touted as the most expensive film in Malayalam cinema, the film offers little scope for Mohanlal to perform.
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